Medieval/Tudor

The Medieval and Tudor periods depicted in blackwork

 

Jocelyn

jocelyn

Lost in her own thoughts this gentle lady is possibly dreaming of her knight’s return. Stitched in black, grey and sterling 7 with a border in cross stitch.

Design size: 20 x 13” (51cm x 33cm)

Click here to purchase the Sterling 7 required for this design

 

Chart £6.50

Kit £19.50

 

 

Fabric Type

 

 

The Return

the-return

The companion piece for Jocelyn. The faithful hound has spotted the figure in the doorway, but the lady is still engrossed in her stitching. Stitched in black, grey and sterling 7.

Design size: 18.5” x 12” (47cm x 30cm)

Click here to purchase the Sterling 7 required for this design

 

Chart £7.50

Kit £21.50

 

 

Fabric Type

 

 

The Betrothal

the-betrothal

A minstrel plays in the foreground but the two young lovers notice only each other. Stitched in black, greys, green and sterling 7 with a border in cross stitch.

Design size: 19” x 12.5” (48cm x 30cm)

Click here to purchase the Sterling 7 required for this design

 

Chart £7.50

Kit £21.50

 

 

Fabric Type

 

 

Tudor Rose

tudor-rose

Within the rose arbour a dashing courtier offers his lady a token of his affection. Will she return his affections or will she remain elusive? Stitched in black, greys and sterling 7.

Design size: 16” x 11” (41cm x 28cm)

Click here to purchase the Sterling 7 required for this design

 

Chart £6.50

Kit £19.50

 

 

Fabric Type

 

 

The Queens Maids

queens_maids

Beautifully dressed the ladies look serene as they stitch. Yet this is a Tudor court so there may be all sorts of undercurrents beneath the surface. Stitched in black, greys, red and sterling 7.

Design size: 19.5” x 16” (50cm x 41cm)

Click here to purchase the Sterling 7 required for this design

 

Chart £7.50

Kit £22.50

 

 

Fabric Type

 

 

 

 

 

The ladies in these designs are definitely of the leisured classes. Anyone doing manual work would have been much more simply dressed in Elizabethan times. A court lady would need assistance to dress.

Over her undershift would go a whaleboned and padded bodice in up to 3 pieces that would be laced or hooked together. Sleeves and cuffs came in separate pieces that would have to be fastened to the bodice with rolls of fabric called pickadills fastened on the shoulder to hide the joining tapes.

To make the skirt hang in a wide bell shape, around the waist would be tied a wire or whaleboned frame called a farthingale, or alternatively a large roll of cloth called a bum-roll.

Over this would be placed an embroidered petticoat and the skirt that was attatched to the bodice. Both bodice and skirt could be heavily embroidered and decorated with precious and semi precious stones. Blackwork and whitework embroidery was popular for decoration on shirts etc Stockings were made of woven cloth or knitted silk and shoes of fabric or leather.

Pleated ruffs were worn around the neck but later in the reign there was a fashion for the high backed open fronted gauze ruff which was wired and attached to the back of the bodice.

Caps were small and worn towards the back of the head but some court ladies used false hair or wigs to supplement their own hair The effect must have been gorgeous but these were not clothes that allowed for ease of movement.

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